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首页> 外文期刊>PLATFORM : Journal of Media and Communication >Queer Science: Queering the Cyborg in MyMy
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Queer Science: Queering the Cyborg in MyMy

机译:酷儿科学:在MyMy中控制机器人

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MyMy (14mins, 2014) is a hybrid of science f ction narrative, documentary process and video art techniques. T e f lm was a product of my Honours artistic research project at the Victorian College of the Arts, University of Melbourne that examined identity, role-play and performance from a queer and feminist perspective. My artistic research method was to form a synthesis of my backgrounds in technology and media activism, video art and performance, and narrative and documentary f lm practice, and then to use this hybrid moving image making practice in combination with queer and feminist theory as a method of investigating themes of identity and a.nity. In this paper, I will outline the inf uence of Donna Haraway's A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the 1980s (Haraway, 1985) (hereafter Cyborg Manifesto ) in particular, and how her ironic myth of the cyborg intersects with queer theory, politics and community in both the process of making the f lm, and in the f lm which emerged from it
机译:MyMy(14分钟,2014年)是科学叙事,纪录片制作和录像艺术技巧的混合体。这是我在墨尔本大学维多利亚艺术学院的荣誉艺术研究项目的产物,该项目从酷儿和女权主义者的角度研究了身份,角色扮演和表演。我的艺术研究方法是对我在技术和媒体行动主义,录像艺术和表演以及叙事和纪录片电影实践方面的背景知识进行综合,然后将这种混合运动图像制作实践与酷儿和女权主义理论相结合。调查身份和亲密主题的方法。在本文中,我将概述唐娜·哈拉威(Donna Haraway)的著作《半机械人宣言:1980年代的科学,技术和社会主义女权主义》(哈拉威,1985年)(以下简称《半机械人宣言》),以及她讽刺性的半机械人神话如何与之相交。在电影的制作过程以及由此产生的电影中,都使用酷儿理论,政治和社区

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