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Is There a Designer?

机译:有设计师吗?

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This is a commentary on Michael Lissack’s two-part article “Understanding is a Design Problem: Cognizing from a Designerly Thinking Perspective.” Michael Lissack and I co-authoredCoherence in the Midst of Complexity. In this article, readers will see how our thought has since diverged. While Lissack has increasingly focused on a cognitive interpretation of basic concepts or categories of the mind, I have pursued object-oriented-ontology (O-O-O) and rejected the mind-based thesis. Lissack has chosen for human cognition and the brain as his baseline, while I claim that objects inherently withdraw from perception, and that knowing is ontologically partial and incomplete. The “realness” of objects, whether the objects are mental, cultural, physical, imaginary or whatever, is limitedly accessible. I criticize “corrolationism,” or the assertion that all there is, is mind (or cognition and awareness). I insist that objects, in their enormous variety and complexity, require to be acknowledged and not reduced to epiphenomena dominated by thought; i.e. it is not mind all the way down.
机译:这是对迈克尔·利萨克(Michael Lissack)的两部分文章“理解是设计问题:从设计思维的角度认识”的评论。我和迈克尔·利萨克(Michael Lissack)共同撰写了《复杂之中的一致性》。在本文中,读者将看到我们的思想此后有何分歧。尽管Lissack越来越专注于对基本概念或心理类别的认知解释,但我一直追求面向对象的本体论(O-O-O),但拒绝了基于心理的论点。里萨克选择以人类认知和大脑为基准,而我声称物体天生就会从感知中撤出,而知识在本体论上是局部的和不完整的。对象的“真实性”(无论对象是心理的,文化的,身体的,虚构的还是其他任何东西)都是可以访问的。我批评“腐败主义”,或者说所谓一切就是思想(或认知和意识)。我坚持认为,物体的千变万化和复杂性必须得到承认,而不应归结为思想主导的现象。即,不介意一直下降。

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