?￠????Nothing Sacred?￠????: Violence, Time and Meaning in the Cinema of Possibilities

摘要

Hemingway?￠????s disenchantment with the idea of the sacred as expressed in A Farewell to Arms became a defining aspect of the modern experience including in some Hollywood films such as Nothing Sacred and Twentieth Century. An attempt for a return to the sacred can be found in the philosophies of such figures as Levinas and Kristeva, among others. Cinema can help in this movement to a return to the sacred through film?￠????s ability to manipulate time.