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“For One’s Offence Why Should so Many Fall”?: Hecuba and the Problems of Conscience in The Rape of Lucrece and Hamlet

机译:“一个人为什么要犯那么多罪魁祸首”?:《温柔》和卢克瑞斯和哈姆雷特强奸案中的良心问题

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In The Rape of Lucrece and Hamlet , Shakespeare focuses upon the effects of sin and the problems of conscience that it causes. However, he does so by shifting focus from the sinner to the one harmed by the sin. Through this shift in focus, Shakespeare explores sin as something that does not only harm the sinner and his immediate victim, but as something that strikes against the common good. Sin harms humanity in its corporate nature, and the consequences of sin—sorrows, guilt, conflicted conscience, and the desire for absolution—spread from the sinner to his victims and the larger community. At pivotal moments in both works, Shakespeare turns to artistic representations of the figure of Hecuba, sorrowing in the midst of the destruction of Troy, as a means for navigating the strained point of intersection between private conscience and the common good.
机译:莎士比亚在《卢克塞斯和哈姆雷特的强奸案》中着重探讨了犯罪的后果及其所引起的良心问题。但是,他这样做的目的是将重点从罪人转移到受罪伤害的人身上。通过这种重点转移,莎士比亚将罪恶视为不仅伤害罪人及其直接受害者的东西,而且还触犯了共同利益。罪在其公司性质上损害了人类,罪的后果(悲伤,内,矛盾的良心和对赦免的渴望)从罪人蔓延到受害者和整个社会。在这两部作品的关键时刻,莎士比亚都将目光投向了Hecuba形象的艺术表现形式,在特洛伊毁灭之中感到悲伤,以此作为解决私人良心与共同利益之间紧张的交汇点的手段。

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