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Sien (en hoor!) is glo: 'n voorlopige verkenning van ikonisiteit as retoriese strategie aan die hand van twee kort gedigte

机译:看到(和听到!)被认为是:基于两首短诗的标志性作为修辞策略的初步探索

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Rhetorical text description is aimed at exposing the persuasive strategies employed in a text. It entails a description of the selection of topic, but in particular a stylistic analysis. In this article the researcher explores the necessity of interpreting iconic signification in poetry as a rhetorical strategy, mainly on the grounds of the ‘poetic faith' aroused in the reader by the code-orientated or demonstrative nature of poetry. The icon, the most ‘seductive' of sign types on account of its resemblant relation to the denotated object, is seen to function as a ‘hidden persuader' in poetic communication, valorizing the message of the poetic utterance. After analysing two short Afrikaans poems (Ernst van Heerden's "Vo?lverskrikker" and T.T. Cloete's "God die digter") within this theoretical framework, the researcher concludes that iconicity, at the core of the poetic function in its aspiration towards minimizing the arbitrariness of signification, must be seen as a rhetorical strategy.
机译:修辞性文本描述旨在揭示文本中采用的说服策略。它涉及对主题选择的描述,尤其是风格分析。在本文中,研究人员探讨了将诗歌中的象征意义解释为修辞策略的必要性,主要是基于以代码为导向或论证性的诗歌在读者中引起的“诗意信仰”。由于与所指对象的相似性,图标是最“诱人”的符号类型,被视为在诗意交际中的“隐藏说服者”,从而彰显了诗意话语的信息。在此理论框架内分析了两首南非荷兰语短诗(恩斯特·范·海登的“ Vo?lverskrikker”和TT克洛特的“上帝的挖掘者”)之后,研究人员得出结论,象似性是诗意功能的核心,旨在减少对诗歌的任意性。意义,必须被视为修辞策略。

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