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African Musician as Journalist: A Study of Ayinde Barrister’s Works

机译:非洲音乐家作为记者:艾因德·巴里斯特的作品研究

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This study was conducted to test the validity of contention that Sikiru Ayinde Barrister (SAB) music is journalism, particularly when its contents are juxtaposed with different sections of a newspaper or magazine. Being a qualitative essay, copious quotations from SAB's works were done to test each unit of the analysis such as education, politics, news commentary, travel/tourism, editorial, poetry etc. A total of 13 albums representing 10% of SAB's works were selected and graded on their contents based on their suitability to each of the categories above. Findings however revealed that music of SAB is journalism. Apart from informing, educating and entertaining his audience, SAB also employed his music for agenda-setting and social responsibility purposes in media theoretical framework. The criticism aspect of his music had played the watch-dog and advocacy roles of the media on the populace and the government especially during the military juntas of Gen. Muhamadu Bihari, Ibrahim Babangida and Sani Abacha respectively. The study found that selected works of traditional musicians such as Ayinde Barrister and Ayinla Omowura qualify journalism in structure and content.
机译:进行这项研究是为了检验Sikiru Ayinde Barrister(SAB)音乐是新闻业这一论点的有效性,特别是当其内容与报纸或杂志的不同部分并置时。作为定性论文,SAB的作品引用了很多语录,以测试分析的每个单元,例如教育,政治,新闻评论,旅行/旅游,社论,诗歌等。总共选出了13张专辑,占SAB作品的10%并根据其对以上每个类别的适用性对其内容进行分级。然而,调查结果显示SAB的音乐是新闻业。除了宣传,教育和娱乐听众之外,SAB还利用他的音乐在媒体理论框架中设定议程和履行社会责任。他的音乐受到批评,在媒体和民众中起到了监督和宣传的作用,尤其是在穆罕默德·比哈里(Muhamadu Bihari)将军,易卜拉欣·巴班吉达(Ibrahim Babangida)和萨尼·阿巴查(Sani Abacha)将军的军政府时期。研究发现,传统音乐家(如Ayinde Barrister和Ayinla Omowura)的精选作品在结构和内容上都符合新闻业的要求。

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