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Legitimization Of The Regionalist Idea In Architecture Through Mumford’s Early Ideas

机译:通过芒福德的早期思想使建筑中的区域主义思想合法化

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This paper aims to point out direct or indirect influence of Mumford's criticalideas formulated as early as 1920s, on the contemporary idea of Regionalism inarchitecture. Being a cultural critic, Mumford's translation of the geographicaland political notion of Regionalism into architecture is interesting, because,although his intellectual position represents the socio-political and intellectualspirit of his age, there are similarities between the mental habits of that periodand of the present in the interpretation of certain stylistic attitudes in architecture.In this paper, the emphasis will be given to Mumford's interpretation of the'local', 'regional', 'universal', and 'modern' aspects of architectural problemswhere he often conflates particular architectural forms (images) with certain'ideas' (such as national, regional, universal) in order to justify some architecturalapproaches. This conflation, actually, has been an evidence of formalist tendenciesthat have persisted in various modern and post-modern architectural attitudes(1).
机译:本文旨在指出早在1920年代制定的芒福德批判思想对当代区域主义建筑学思想的直接或间接影响。作为文化批评家,芒福德将地域主义的地理和政治概念转化为建筑很有趣,因为,尽管他的思想地位代表了他那个时代的社会政治和思想精神,但那个时代的精神习惯与当今时代的精神习惯之间存在相似之处。本文将重点介绍Mumford对建筑问题的``局部'',``区域'',``通用''和``现代''方面的解释,而他通常会混淆特定的建筑形式(图片)带有某些“想法”(例如国家,地区,通用),以证明某些建筑方法是合理的。实际上,这种混合是形式主义倾向的证据,这种倾向在各种现代和后现代的建筑态度中都持续存在(1)。

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