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The Kite of State. The Political Iconography of Kiting in the Dutch Republic 1600-1800

机译:国家风筝。 1600-1800年荷兰共和国风筝的政治肖像

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pThis article analyses the iconography of kiting in the Dutch Republic and the role kites played in the conceptualization of political order and conflict. We argue that the introduction of the kite in Europe around 1600 provided authors and artists with a new, multi-layered and dynamic symbol, to help understand and imagine the new political reality of the Dutch Republic. Although the kite in Europe was mainly perceived as a children’s game, leaving behind its more adult and sometimes violent Asian background, it acquired a serious and powerful set of meanings in texts and images. In competition with the traditional iconography of bubbles, Icarus, the Ship of State and the Body Politic, the kite provided new opportunities for cultural imagery. It facilitated the analysis and visualisation of complex phenomena such as the state system of the Dutch Republic, the interplay between Stadtholder and Land’s Advocate, the ambition of statesmen, and the international balance of power. The kite, a new technological device, helped to narrate the story of a proud Republic, based on technological accomplishments and moral superiority, and admired by other nations for its high flight./p.
机译:>本文分析了荷兰共和国的风筝形象,以及风筝在政治秩序和冲突概念中的作用。我们认为,大约在1600年左右欧洲引入了风筝,为作者和艺术家提供了一个新的,多层的,充满活力的符号,以帮助理解和想象荷兰共和国的新政治现实。尽管在欧洲,风筝主要被认为是一种儿童游戏,但在亚洲却不再具有成年人和暴力色彩,但它却在文字和图像中获得了一系列严肃而有力的含义。在与传统的气泡,伊卡洛斯(Icarus),《国船》和《身体政治》等传统图像中,风筝为文化意象提供了新的机会。它促进了对复杂现象的分析和可视化,例如荷兰共和国的国家体系,州长与土地倡导者之间的相互作用,政治家的野心以及国际力量平衡。风筝是一种新的技术手段,它以技术成就和道德优势为基础,讲述了一个自豪的共和国的故事,并受到其他国家的高度赞扬。

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