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Documents on early Christian and Byzantine architecture

机译:有关早期基督教和拜占庭式建筑的文件

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There are many models in the entire history of architecture which have travelled across the world, from one to another part of the big world. For various reasons, very frequently not at all scientific or professional, in our part of the world, be it Serbian or Yugoslav, or south Slav, some like to remain silent, when it comes to the transition of a Byzantine model, which by nature is rooted in the Orthodox Christian faith at the south east of Europe and the outmost west of Asia, to their areas, pervaded to a great extent by the Roman Catholic Christian belief, or Islam. There are numerous evidences of the transition of a model, one of many which found their new home on the west-European soil after the fall of Byzantium, mostly after the Crusades, when looters, but also scientists and artists in Italy, came by new wealth, and new knowledge, in the capital of the fallen Empire, observing its magnificent edifices, and taking its parts to their boats and shipping them to Venice and other cities in Italy and placing them on their buildings and squares, as they have done with the columns of the Augusteion of Constantinople, the square dedicated to Justinian's mother Augusta, which now decorate the square near the famous Venetian church of Saint Marco. Some other, also numerous accounts, explain how the Ottoman Turkish architecture in almost the same way, adopted its mosque construction model at the same place, in the same manner, retaining the actual structures but changing the religious insignia, or by copying this Byzantine model in building the new mosques.
机译:在整个建筑历史中,有许多模型遍历整个世界,从一个大世界到另一个世界。由于各种原因,在我们这个地区,无论是塞尔维亚,南斯拉夫还是南斯拉夫,在很多情况下,根本都不是科学或专业的,就拜占庭模式的转变而言,有些人喜欢保持沉默它起源于欧洲东南部和亚洲最西端的东正教徒信仰,在很大程度上受罗马天主教基督教信仰或伊斯兰教的欢迎。有许多证据表明,这种模式会发生转变,其中许多是在拜占庭沦陷后在西欧的土地上找到了新家,主要是在十字军东征之后,掠夺者以及意大利的科学家和艺术家都是新来者财富和新知识,在堕落帝国的首都,观察其宏伟的建筑物,将其零件运到他们的船上,运往威尼斯和意大利的其他城市,并将它们放在建筑物和广场上,就像他们所做的那样。君士坦丁堡奥古斯丁柱子,专为查士丁尼的母亲奥古斯塔(Augusta)设计的广场,现在装饰着著名的威尼斯圣马可教堂附近的广场。其他一些也有许多记载,解释了奥斯曼土耳其建筑如何以几乎相同的方式在相同的地方以相同的方式采用其清真寺建筑模型,保留了实际的结构,但改变了宗教标志,或者通过复制了拜占庭式的模型在建造新清真寺。

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