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Mythological Plotsasa Self-Organizing Process

机译:神话般的情节自组织过程

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Elements of mythical thinking, as archaeological types, always become the center of the researchers’ attention. But there are still such problems in this area, so that are of scientific interest. There are issues among them that have a direct appeal to the philosophical thinking. The observation of striking similarities among myths of the world people is of this kind. These are plot similarities. Even the mythical plots of nations located in a remote geography quite far from one another contain elements and images similar to each other. The internal mechanism of mythical subjects’ self-organization resuscitates the folklore and gives life to it at any time. The folklore becomes active only in a person’s life. Particular people renew forms existing for centuries on the improvisation basis. Thus one can get rid of monotony and a tradition gets a new breath in the performance of each person as well. The tradition is kept, but expressed by a new rhythm and breath. And it shows that myths always live and go through centuries in a new improvisation. In Turkish provinces everybody knows the Khizir’s Spirit as a cradle song. It is the symbol of the Holiness from its original date. Khizir- a thousand year old Turk fondles his love by the language of the lullaby and bayaties.He has made a tale of his Memory and set up a great deal of saga for himself. In this case the evaluation of mythological plots always maintains its topicality as one of the important terms.
机译:神话思维的元素,作为考古类型,始终成为研究人员关注的焦点。但是在这一领域仍然存在这样的问题,因此具有科学意义。其中有些问题直接吸引了哲学思想。观察世界神话之间惊人的相似之处就是这种情况。这些是情节相似之处。即使是位于彼此相距很远的偏远地区的神话般的地块,也包含彼此相似的元素和图像。神话主体自我组织的内部机制使民俗得以复兴并在任何时候赋予其生命。民俗仅在一个人的生活中活跃。特别的人在即兴的基础上更新存在了几个世纪的表格。这样,人们就可以摆脱单调,而传统也使每个人的表现焕然一新。传统得以保留,但以新的节奏和气息来表达。它表明神话在新的即兴创作中始终存在并经历了几个世纪。在土耳其各省,每个人都知道《基希族的精神》是摇篮曲。从其原始日期开始,它就是圣洁的象征。一千多岁的土耳其裔突厥人用摇篮曲和八卦语言来表达自己的爱意。他讲述了自己的记忆,为自己树立了许多传奇。在这种情况下,对神话情节的评估始终保持其主题性为重要术语之一。

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