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A Conceptual Framework for Artificial Creativity in Visual Arts

机译:视觉艺术中人工创造力的概念框架

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The present paper introduces the conceptual framework for an artificial system for visual creativity addressing the idea of niche creativity that is domain specific and non-anthropocentric in its conceptual approach. We think that the visual creative output of the system reflects the artificial medium and the specific artificial processes engaged in its production and, therefore, it is an expression of the idea of embodied creativity with the proposed system offering in this sense an example of digital embodiment of creativity. Although our approach to artificial creativity is non-anthropocentric, the system design is inspired by processes in the natural world that lead to the production of new and useful structures in both living and non-living systems with human creative cognition being included among these processes. The main problem raised by this abstract approach to artificial creativity in visual arts is the compatibility of its artistic production with human aesthetics, the ultimate goal of the proposed system being to produce visual output that would aesthetically engage human visual perception.
机译:本文介绍了一种视觉创造力人工系统的概念框架,该系统解决了特定领域且非人类中心的生态位创造力的概念。我们认为系统的视觉创意输出反映了人工介质和参与其生产的特定人工过程,因此,它是体现创造性的思想的表达,在这个意义上,所提出的系统提供了数字化实施例创造力。尽管我们的人工创造方法不是以人类为中心的,但是系统设计的灵感来自自然界中的过程,这些过程导致在有生命和无生命的系统中都产生了新的有用的结构,而人类的创造性认知也被包括在这些过程中。这种抽象的视觉艺术中人工创造力的方法提出的主要问题是其艺术创作与人类美学的兼容性,所提出系统的最终目标是产生视觉上可以吸引人类视觉感知的视觉输出。

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