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Intellectual Properties of Artificial Creativity: Dismantling Originality in European's Legal Framework

机译:人工创造力的智力特征:欧洲法律框架中的原创性

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The debate on whether a work created by AI should be protected is waging on and divides academics into three groups: (1) the ones who maintain a traditional view, arguing that Intellectual Property was made by humans to regulate humans and the works of human intellect, (2) the ones who advocate a redefinition of the concept of intellectual creation, opposing the first view with a more progressive one and (3) those who consider that the law should find an intermediate solution, as the situation is analogous to the employer/employee context (Guerkaynak et al. 2017). However, the main purpose of this paper is not to participate on the above-mentioned discussion. On the contrary, it is assumed that the matter will soon be resolved and, therefore, other important notions in the Intellectual Property's universe, namely, originality and creativity. The bottom-line question is the following: considering the European framework, can artwork created by AI be regarded as creative and thus, original?
机译:关于AI的工作是否应该受到保护的辩论是在向三组上发动并将学者分成三组:(1)那些维持传统观点的人,争论人类是通过人类制定的,以规范人类和人类智力的作品,(2)主张重新定义知识产权概念的人,相反的是一个更加渐进的观点和(3)那些认为法律应该找到中间解决方案的人,因为情况类似于雇主/雇员上下文(Guerkaynak等,2017)。然而,本文的主要目的不是参与上述讨论。相反,假设此事很快就会得到解决,因此,知识产权宇宙中的其他重要概念,即原创性和创造力。底线问题如下:考虑到欧洲框架,Ai创建的艺术品可以被视为创意,因此原创?

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