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Yin-yang Idea in Architectural Design - Following Rather Than Altering the Objects' Nature

机译:建筑设计中的阴阳理念-而不是改变物体的本质

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Yin-yang theory is one of the oldest Chinese philosophies whereby the world is constituted of Yin-yang units rather than pure individual elements. A belief arising from this theory is that when Yin and Yang interact with each other, new things will be generated. "Following rather than altering the objects' nature", which has been widely applied in art and craft creation, originally stems from Yin-yang theory. This idea provides a principle of creating new things based on the original situation with minimal alternation. When the image of the new creation matches the object's existing features, the new creation will be born. Red Brick Art Museum, a rebuilt project based on an abandoned factory, adopts the above idea as its design concept. Thus this project could well interpret the idea "following rather than altering the objects' nature". The design concept does not refer to any supposed form or symbolic meaning of the building, but provides a pragmatic approach of design. Existing circumstances have been addressed greatly. When the image of the new space matched with the existing conditions of the building, transformation strategies would be created, and the rebuilding process would be pushed forward. The ultimate building form is not determined at the very beginning. Building form is not the purpose of the design, but acts as the consequence resulting from the way of dealing with actual problems throughout the design process.
机译:阴阳理论是中国最古老的哲学之一,世界是由阴阳单位而不是纯粹的个体元素构成的。这种理论产生的一种信念是,当阴与阳相互作用时,就会产生新的事物。 “跟随而不是改变物体的本质”已广泛应用于艺术和手工艺创作中,最初源于阴阳理论。这个想法提供了基于原始情况以最小的交替来创建新事物的原理。当新创作的图像与对象的现有特征匹配时,新创作将诞生。红砖美术馆是在一家废弃工厂的基础上进行重建的项目,采用上述构思作为其设计理念。因此,该项目可以很好地解释“遵循而不是改变对象的性质”的想法。设计概念并不涉及建筑物的任何假定形式或象征意义,而是提供了一种实用的设计方法。现有情况已得到极大解决。当新空间的形象与建筑物的现有条件匹配时,将制定转换策略,并推动重建过程。最终的建筑形式并不是一开始就确定的。建筑形式不是设计的目的,而是作为整个设计过程中处理实际问题的方式所导致的结果。

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