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EXAMINING THE ORIGIN OF FLOWERPOT MOTIFS IN THE BUILDINGS OF QAJAR ERA

机译:检查卡贾尔时代建筑中的花壶运动起源

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In Qajar period, the era of the formation of urban fabric along with a rooted tradition close to the contemporary architectural era of Iran, specific motifs and decorative patterns were formed on the buildings, including flowerpots with scattered flowers that developed on all constructions of this era (the mosques, schools, palaces, and mansions), which were applied with assorted materials especially seven-color tiles.The present study was a descriptive-analytic research conducted referring to reliable library resources, and visual and electronic documents, and, it was intended to answer the following question: What is the origin of scattered flowers with spiral stalks issuing from realistic and flowerpots?Findings show that the origin of scattered flowers with symbolic meanings of life, growth and immortality is the earthenware found in Sialk, Kashan, which were common in ancient era and after Islam, they became widespread with the same content and theme as arabesque forms. Then, they were recreated in Qajar Era and by being originated from realistic and sometimes flowerpots, they were depicted on the buildings with symmetric spiral arabesque forms.
机译:在卡贾尔时期,城市面料形成的时代以及与伊朗当代建筑时代相近的根深蒂固的传统,建筑物上形成了特定的图案和装饰图案,包括在该时代的所有建筑上发展而成的散落花盆(清真寺,学校,宫殿和豪宅),并使用各种材料,特别是七色瓷砖。本研究是对可靠的图书馆资源以及视觉和电子文档进行的描述性分析研究,旨在回答以下问题:从现实和花盆中发出的带有螺旋茎的散花的起源是什么?在古代很普遍,在伊斯兰教之后,它们以与蔓藤花纹形式相同的内容和主题传播。然后,在卡扎尔时代对其进行了重新创作,并通过源自现实的花盆(有时甚至是花盆)将它们以对称的螺旋蔓藤花纹形式描绘在建筑物上。

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