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Cultured and popular literary circuits on Facebook: a case study of Singaporean print culture in social media

机译:Facebook上流行的文化文学流派:以社交媒体中的新加坡印刷文化为例

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This article presents a case study of social media use by the independent Singaporean bookstore, BooksActually. A genre analysis based on Bhatia’s list of facets was conducted on the bookstore’s Facebook page. BooksActually's Facebook posts, collected in reverse chronological order in March 2015 and cleaned using the software NVivo, were analysed. Purposive sampling of Facebook posts was initially employed to find out how BooksActually presents facets of print culture. Responses (comments and likes) were thus left out in the primary analysis, but were able to provide supplemental information that supported our initial investigation. The findings show that the page blurs the dichotomy between what Robert Escarpit has referred to as the cultured and popular circuits of the book trade. Such findings suggest the possibility that booksellers can reach out to both circuits. It also suggests that librarians, through social media, can also serve the very different needs of members of the cultured and popular circuits of literary taste. We embarked on this study as contributors to current literature and also as documenters of how print culture is not just in existence in the social media realm of the digital landscape, but also how this playing field allows for both cultural and commercial agenda to be achieved with a far greater audience and efficiency compared to what other genres are able to offer.
机译:本文介绍了新加坡独立书店BooksActually对社交媒体使用的案例研究。在书店的Facebook页面上进行了基于Bhatia方面列表的体裁分析。分析了2015年3月以相反的时间顺序收集并使用软件NVivo清除了BooksActually的Facebook帖子。最初使用Facebook帖子的目的样本来了解BooksActual如何展示印刷文化的各个方面。因此,在最初的分析中没有回答(评论和喜欢),但能够提供支持我们初步调查的补充信息。研究结果表明,该页面模糊了罗伯特·埃斯卡皮特(Robert Escarpit)所说的书本文化交易和流行交易之间的二分法。这些发现表明书商可以同时接触这两个地方。它还表明,图书馆员还可以通过社交媒体来满足文化底蕴和流行文学品位的人们的不同需求。我们着手这项研究,是对当前文学的贡献,也是对印刷文化不仅在数字化景观的社交媒体领域中如何存在的文献记载,而且还探讨了这种竞争环境如何使文化和商业议程得以实现与其他类型的音乐相比,受众和效率更高。

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