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Iron Plates & Belching Stacks: Marine Painting of the Civil War and Industrialization on the High Seas

机译:铁板和Bel堆:内战和公海工业化的海洋绘画

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This paper explores the dawn of the modern United States navy as depicted in marine paintings of the Civil War period—an often forgotten, or glossed over, aspect of the War Between the States in contemporary popular and scholarly accounts. Union and Confederate artists, as well as established painters from the port of Liverpool, England, and the United States, not only depicted a new era of mechanized dominance of the seas, but also foreshadowed the coming industrial age in America. Using an already established visual vocabulary of marine painting to highlight a changing of the guard in naval technology, these artists painted canvases that were often more accurate in their portrayal of events than the romantic works created after the war.
机译:本文探讨了南北战争时期海洋绘画所描绘的现代美国海军的曙光,这在当代的流行和学术研究中常常被遗忘或掩盖了“国家之间战争”的一面。联盟和同盟艺术家以及来自利物浦,英格兰和美国港口的知名画家,不仅描绘了海洋机械化统治的新时代,而且也预示了美国即将到来的工业时代。这些艺术家利用已经建立的海洋绘画视觉词汇来强调海军技术的变化,这些艺术家所画的画布通常比战后创作的浪漫作品更能准确地反映出事件的发生。

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