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The Alhambra: Transformation and Change through Architectural Ceramics

机译:阿尔罕布拉宫:建筑陶瓷的变革与变化

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In the following paper, we look at the Alhambra from a perspective of architectural ceramics, an essential element in the understanding of the monument. From the Nasrid era onward, glazed ceramic tile mosaics were used to adorn the walls, a style that extended into the Christian conquest, when the palace complex was used as a royal residence. Since then, restoration work has continued to be carried out on the alicatados that cover the Alhambra’s walls, especially during an intense period in the 19th century, when it was the subject of much interest from Romantic travellers to Granada. A detailed, documented analysis of this work shows the complexity of the palace and fortress complex, helping us to better understand a part of its history. In the following pages, we specifically focus on one room in the Alhambra, the so-called Cuarto Dorado (Golden Room), outlining the preliminary findings of a research project that we are undertaking in association with the University of Granada and the Patronato de la Alhambra y el Generalife (Council of the Alhambra and the Generalife).
机译:在接下来的论文中,我们从建筑陶瓷的角度看待阿尔罕布拉宫,这是理解古迹的基本要素。从纳斯里德(Nasrid)时代开始,釉面瓷砖马赛克被用于装饰墙壁,当宫殿建筑群被用作王室住所时,这种风格一直延伸到基督教的征服中。从那以后,修复工作继续在覆盖阿罕布拉城墙的阿利卡塔多上进行,特别是在19世纪的紧张时期,浪漫旅行家到格拉纳达倍受关注。对这项工作进行的详细记录分析表明,宫殿和堡垒的复杂性,有助于我们更好地了解其历史的一部分。在接下来的几页中,我们特别关注阿罕布拉的一个房间,即所谓的Cuarto Dorado(金色房间),概述了我们正在与格拉纳达大学和Patronato de la合作进行的一项研究项目的初步发现。阿尔罕布拉宫(Alhambra y el Generalife)(阿尔罕布拉宫和赫内拉利费宫理事会)。

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