The Localization Construction of Sichuan Native Oil Painting under the Background of Cultural Renaissance

摘要

As a foreign art form, native oil painting cannot be separated from the fusions of Chinese and western art in the exploration of national painting forms. Taking the cultural revival as the background of the times, this paper tries to discuss the localization construction of Sichuan native oil painting from the aspects of expression language, the connotation of subject matter and the painting aesthetic system.