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Two fictional journeys in the life of Dostoevsky: Typskin’s Summer in Baden–Baden and Coetzee’s The Master of Petersburg

机译:陀思妥耶夫斯基一生中的两个虚构旅程:Typskin在巴登-巴登的夏天和Coetzee的《彼得斯堡大师》

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This article explores two literary works based on the life of Fyodor Mikhailovich Dostoevsky between the years 1867 and 1869: Лето в Бадене (Summer in Baden-Baden , 1982) by Leonid Tsypkin and The Master of Petersburg (1994) by J. M. Coetzee. Both novels endeavor to understand Dostoevsky. Their approaches are characteristic of late twentieth-century writing: the novelized life and travelogue, in which reality and fiction are interwoven. Both books recreate the life of Dostoevsky and the process by which he wrote The Gambler, The Possessed and The Idiot , based on Dostoevsky’s works and biographical sources. Each novel is framed by a question: Where does Dostoevsky’s writing come from? (Coetzee) and, What can account for this fascination with Dostoevsky? (Tsypkin). The comparative analysis offered here addresses the ways in which such fascination with the life and literary work of Dostoevsky is shaped, and examines the issue of Dostoevsky’s influence on these writers in line with Harold Bloom’s theory in The Anxiety of Influence .
机译:本文根据费奥多尔·米哈伊洛维奇·陀思妥耶夫斯基(Fyodor Mikhailovich Dostoevsky)在1867年至1869年之间的生平,探索了两部文学作品:列昂尼德·齐普金(Leonid Tsypkin)和彼得斯堡大师(Peter Master of Petersburg) (1994年),作者:JM Coetzee。这两本小说都努力理解陀思妥耶夫斯基。他们的方法是20世纪后期写作的特征:新颖的生活和旅行,现实与小说交织在一起。这两本书都基于陀思妥耶夫斯基的作品和传记资料,再现了陀思妥耶夫斯基的生活以及他撰写《赌徒,拥有者》和《白痴》的过程。每本小说都以一个问题为框架:陀思妥耶夫斯基的作品从何而来? (Coetzee),以及,对陀思妥耶夫斯基这种迷恋的原因是什么? (Tsypkin)。此处提供的比较分析解决了人们对陀思妥耶夫斯基的生活和文学作品的迷恋形成的方式,并根据哈罗德·布鲁姆(Harold Bloom)在《影响的焦虑》中的理论,考察了陀思妥耶夫斯基对这些作家的影响问题。

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