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Data (after)Lives at the University of Pittsburgh: A Constellations Exhibition in the University Art Gallery

机译:数据(以下)在匹兹堡大学生活:大学美术馆的星座展

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This brief essay presents the exhibitionData (after)Lives, which was held in the University Art Gallery at the University of Pittsburgh from September 8 to October 14, 2016. This show was the culmination of a year work between the Department of History of Art and Architecture (HAA) and several outside collaborators. It was produced within the Constellations model of research and teaching that is fundamental to the workings of the HAA department as well as to the Visual Media Workshop, the digital humanities lab directed by Alison Langmead (https://haa.pitt.edu/visual-media-workshop), the lead curator ofData (after)Lives. This essay gathers together a few texts produced for the exhibition and presents the experience of working on the show, which was produced by an exceptional group of people, all of whom brought fantastic insight and energy to the project. The online exhibition ofData (after)Lives: The Persistence of Encoded Identityis currently on view at the University Art Gallery website (http://uag.pitt.edu).
机译:这篇简短的文章介绍了2016年9月8日至10月14日在匹兹堡大学大学美术馆举办的展览“ Data(after)Lives”展览。该展览是艺术史与艺术史之间一年的高潮体系结构(HAA)和一些外部合作者。它是在星座研究和教学模式下生产的,这对HAA部门以及视觉媒体工作室(由Alison Langmead领导的数字人文实验室(https://haa.pitt.edu/visual -media-workshop),Data的首席策展人(之后)活着。本文收集了为展览制作的一些文本,并介绍了由一群特殊的人制作的展览工作的经验,这些人都为该项目带来了奇妙的见识和活力。数据在线展览(续):在大学美术馆网站(http://uag.pitt.edu)上正在观看“编码的身份的持久性”。

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