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The prominent role of the cerebellum in the learning, origin and advancement of culture

机译:小脑在文化的学习,起源和发展中的重要作用

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BackgroundVandervert described how, in collaboration with the cerebral cortex, unconscious learning of cerebellar internal models leads to enhanced executive control in working memory in expert music performance and in scientific discovery. Following Vandervert’s arguments, it is proposed that since music performance and scientific discovery, two pillars of cultural learning and advancement, are learned through in cerebellar internal models, it is reasonable that additional if not all components of culture may be learned in the same way. Within this perspective strong evidence is presented that argues that the learning, maintenance, and advancement of culture are accomplished primarily by recently-evolved (the last million or so years) motor/cognitive functions of the cerebellum and not primarily by the cerebral cortex as previously assumed. It is suggested that the unconscious cerebellar mechanism behind the origin and learning of culture greatly expands Ito’s conception of the cerebellum as “a brain for an implicit self.” ResultsThrough the mechanism of predictive sequence detection in cerebellar internal models related to the body, other persons, or the environment, it is shown how individuals can unconsciously learn the elements of culture and yet, at the same time, be in social sync with other members of culture. Further, this predictive, cerebellar mechanism of socialization toward the norms of culture is hypothesized to be diminished among children who experience excessive television viewing, which results in lower grades, poor socialization, and diminished executive control. ConclusionIt is concluded that the essential components of culture are learned and sustained not by the cerebral cortex alone as many traditionally believe, but are learned through repetitious improvements in prediction and control by internal models in the cerebellum. From this perspective, the following new explanations of culture are discussed: (1) how culture can be learned unconsciously but yet be socially in sync with others, (2) how the recent evolutionary expansion of the cerebellum was involved in the co-evolution of earliest stone tools and language—leading to the cerebellum-driven origin of culture, (3) how cerebellar internal models are blended to produce the creative, forward advances in culture, (4) how the blending of cerebellar internal models led to human, multi-component, infinitely partitionable and communicable working memory, (5) how excessive television viewing may represent a cultural shift that diminishes the observational learning of internal models of the behavior of others and thus may result in a mild, parallel version of Schmahmann’s cerebellar cognitive affective syndrome.
机译:BackgroundVandervert描述了与大脑皮层合作无意识地学习小脑内部模型如何在专家音乐演奏和科学发现中增强工作记忆的执行控制。根据范德沃特的观点,有人提议,由于音乐表演和科学发现是文化学习和进步的两个支柱,是通过小脑内部模型来学习的,因此可以合理地理解,即使不是全部文化成分,也可以以相同的方式学习。在这种观点下,有力的证据表明,文化的学习,维持和发展主要是由最近发展的(最近一百万年左右)小脑的运动/认知功能完成的,而不是像以前那样主要由大脑皮层完成的。假定。有人认为,文化起源和学习背后的无意识的小脑机制极大地扩展了伊藤小脑作为“内在自我的大脑”的观念。结果通过与人体,其他人或环境有关的小脑内部模型中的预测序列检测机制,表明了个体如何在不知不觉中学习文化要素的同时,如何与其他成员保持社交同步文化。此外,假设这种对文化规范的社会化的预测性小脑机制在电视观看次数过多的儿童中会减少,这会导致年级降低,社会化程度降低以及行政控制降低。结论得出的结论是,文化的基本组成部分不是像许多传统上相信的那样仅靠大脑皮层来学习和维持的,而是通过小脑内部模型对预测和控制的反复改进来学习的。从这个角度出发,讨论了以下关于文化的新解释:(1)如何在不知不觉中学习文化,但又如何与他人保持社会同步;(2)最近小脑的进化扩展如何与小脑的共同进化有关?最早的石头工具和语言-导致小脑驱动的文化起源,(3)如何将小脑内部模型融合在一起,以产生创新的文化进步,(4)小脑内部模型的融合如何导致人类,多元成分,无限可分割和可交流的工作记忆,(5)过多的电视观看可能如何代表文化转变,从而减少对他人行为的内部模型的观察性学习,从而可能导致舒马赫曼小脑认知情感的温和并行版本综合症。

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