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Lack of beat isochrony disrupts motor performance in a child drummer prodigy

机译:拍子等时性的缺失会破坏儿童鼓手神童的运动表现

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Several studies have focused on coupling between perception and action (e.g., via finger tapping), and more generally on entrainment, in average musicians and non-musicians. Yet, little is known about the effects of entrainment on timing and movement kinematics in individuals exhibiting outstanding rhythmical abilities. In this study we examined the effect of beat isochrony on the performance of IF, a 7-year-old child drummer prodigy. IF displayed very early (at 3-4 years of age) outstanding musical abilities, and exceptional sensorimotor synchronization. To assess whether temporal regularity of the underlying beat (i.e., isochrony) during music playing affects IF’s performance we tested IF and a “control” group (i.e., children from music schools with 1-to1.5 years of percussion training) in a motion capture study. Participants imitated a short 6-note isochronous metrical pattern (Strong-weak-weak-Strong-weak-weak) on a percussion pad under four conditions. In the first condition the pattern was imitated repeatedly along with a metronome. In the second condition, the pattern was repeated but with a break in between repetitions, together with a metronome. In the third condition, similar breaks were introduced, but disrupting beat isochrony (i.e., with an irregular, though predictable, metronome). Finally, in the fourth condition break durations were random. IF exhibited higher temporal accuracy than controls with an isochronous metronome. However, his performance was much less accurate with disrupted beat isochrony. This was accompanied by overall differences between IF and controls in movement kinematics in terms of movement amplitude, and anticipation times. Enhanced performance in the presence of an isochronous beat, as opposed to lack of isochrony, suggests that motor entrainment may act as a marker of musical expertise early during development.
机译:几项研究的重点是普通音乐家和非音乐家在感知与行动之间的耦合(例如,通过敲击手指),并且更普遍地着重于夹带。然而,对于表现出杰出的节奏能力的个人,锻炼对计时和运动运动学的影响知之甚少。在这项研究中,我们研究了节拍同步对7岁儿童鼓手神童IF演奏的影响。 IF在早期(3-4岁时)就表现出了杰出的音乐能力以及出色的感觉运动同步性。为了评估音乐播放过程中基本节拍的时间规律性(即等时性)是否会影响中频的表现,我们在运动中测试了中频和“对照组”(即音乐学校的儿童进行了1到1.5年的打击乐训练)捕获研究。参与者在四个条件下在打击板上模仿了一个短的6音符等时模式(强弱弱弱强弱弱)。在第一种情况下,该模式与节拍器一起被重复模仿。在第二种情况下,模式被重复,但是在重复之间有一个中断,还有一个节拍器。在第三种情况下,引入了类似的中断,但是破坏了节拍的等时性(即,具有不规则但可预测的节拍器)。最后,在第四条件下,休息时间是随机的。中频显示出比具有同步节拍器的控件更高的时间精度。但是,他的表现在节拍等时性中断的情况下准确性较差。这伴随着IF和运动运动学控制之间在运动幅度和预期时间方面的总体差异。与缺乏等时性相反,在等时节拍的存在下增强的表现表明,在发展的早期,运动训练可能是音乐专业知识的标志。

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