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Designerly Learning: Workshops for schools at the Design Museum

机译:设计学习:设计博物馆为学校举办的工作坊

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This paper presents qualitative research recently undertaken by the Head of Learning at the Design Museum. The research explores how learning in the museum's workshop programme for schools is conceptualised by the museum educators who devise and teach on the programme. The study is framed by an epistemological stance of social constructionism, in view of its relevance to respondents' accounts of the social, inter-subjective nature of learning within the workshops. Based on findings from five semi-structured interviews, the localised nature of the case study considers the distinctive characteristics of learning within a typologically specific museum amidst debate in the cultural sector over the role and status of museum learning more generally. A brief literature review summarises features of professional design practice and of 'design thinking' salient to the study, in particular the proactive engagement of design in its real-world context, and a systemised account of designers' cognitive processes. The interview data is then presented across three themes. These themes are: shared perspectives on the content of learning; on the environment for learning; on the processes of learning. Key findings from the interviews are synthesised into an outline of an 'ideal-type' workshop which sets out the core phases and behaviours therein. The term 'designerly learning' is coined as a concept that can be adopted to 'organise the experience of learning' in the school workshops at the Design Museum (Pring, 2000:10). Notably, designerly learning seeks to model characteristics of design thinking and practice to the learner through the experience of a workshop using the museum's handling collections. Arguably, it is a concept particular to this institution, rooted in its distinctive disciplinary context of design. In conclusion a note of caution is sounded regarding the theoretical abstraction of the concept of designerly learning, notwithstanding its educational and professional value as an "adequate, simplifying paradigm" of learning (Cross, 1992).
机译:本文介绍了设计博物馆学习主管最近进行的定性研究。这项研究探索了博物馆讲习班计划中学校的学习是如何由计划该计划并在其中进行教学的博物馆教育家来概念化的。鉴于研究与受访者对讲习班内学习的社会性,主体间性的叙述的相关性,本研究以社会建构主义的认识论立场为框架。基于五个半结构化访谈的结果,案例研究的局部性考虑了在文化界有关博物馆学习的作用和地位的辩论中,在一类特定博物馆中学习的独特特征。简短的文献综述总结了专业设计实践和研究中突出的“设计思想”的特征,特别是在现实世界中主动参与设计,以及系统地描述了设计师的认知过程。然后,将通过三个主题介绍访谈数据。这些主题是:关于学习内容的共同观点;学习环境;在学习过程中。访谈的主要发现被汇总为“理想型”研讨会的概述,其中阐明了其中的核心阶段和行为。 “有计划的学习”这个术语是作为一个概念而产生的,可以在设计博物馆的学校工作坊中采用它来“组织学习的经验”(Pring,2000:10)。值得注意的是,设计师学习旨在通过使用博物馆馆藏的工作坊的经验,为学习者建模设计思维和实践的特征。可以说,这是该机构特有的概念,植根于其独特的设计学科背景。总之,对于设计学习概念的理论抽象,尽管它在教育和专业上具有“充分,简化的学习范式”的价值,但仍需谨慎对待(Cross,1992)。

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