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Irish Empire: assembling the geographical imagination of Irish missionaries in Africa

机译:爱尔兰帝国:集合爱尔兰传教士在非洲的地理想象力

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Throughout the 20th century the books, exhibitions, public lectures, magazines, film and television shows produced by Irish missionaries created a vivid portrayal of Africa within Ireland. Until recently, so clearly were these missionary enterprises associated with an idea of Ireland as a champion of the Global South that their history and their rich visual and material culture existed beyond critique. This paper will contest this established national narrative, through an excavation of the geographical culture of Irish Catholic missionaries and their depictions of Africa between 1900 and 1940, when many of the principal imaginaries about the continent and its peoples were lodged in the Irish consciousness. To undertake this analysis, this paper will deploy concepts of assemblage rather than colonial discourse analysis, the method that has more frequently been used to consider the geographical imaginaries associated with the visual and material culture that intersects with colonialism. This proposition is derived from the contention that in presenting a fluid but materialized vision of society, attendant to the turbulent qualities of social, spatial and non-human relationships, assemblage creates illuminating opportunities to trace how knowledges about Africa were continuously transacted through the Irish missionary enterprise - in bodies, books, the built environment and so on, as well as through the immanent qualities of the missionary network itself. Assemblage offers the potential to re-situate 'the geographical' within missionary activities, by recognizing their dependency upon the circulation of information, materials and personnel over a wide network and through multiple modes of encounter and knowledge making. In this way, the paper contributes to the recasting of geography's history, though an exploration of the relationships between geographical practices and the contexts, practices and networks in which they have been situated. Equally, examination of the early 20th-century Catholic missionary enterprise offers critical insights into the complexities and dramas of Irishness in the context of Empire.
机译:在整个20世纪,爱尔兰传教士制作的书籍,展览,公开演讲,杂志,电影和电视节目生动地描绘了爱尔兰境内的非洲。直到最近,这些传教士企业还很清楚地将爱尔兰作为全球南方冠军的构想与他们联系在一起,以至于他们的历史以及丰富的视觉和物质文化不仅仅存在于批评之中。本文将通过挖掘爱尔兰天主教传教士的地理文化及其在1900年至1940年之间对非洲的描绘,来反对这种既定的民族叙事,当时有关该大陆及其人民的许多主要假想都被置于爱尔兰的意识中。为了进行这种分析,本文将采用集合的概念,而不是殖民话语分析,这种方法更常用于考虑与与殖民主义相交的视觉和物质文化有关的地理虚构。这一主张源于以下论点:在呈现出一种流动但又物化的社会愿景时,伴随着社会,空间和非人类关系的动荡品质,人们聚集在一起创造了启发性的机会,以追寻如何通过爱尔兰传教士不断地处理有关非洲的知识企业-在机构,书籍,建筑环境等方面,以及通过传教网络本身的内在品质。通过认识到传教活动对广泛网络中信息,材料和人员流通的依赖,以及通过多种相遇和知识创造方式的依赖,这种集会提供了在传教活动中重新定位“地理”的潜力。通过这种方式,尽管对地理实践与它们所处的环境,实践和网络之间的关系进行了探索,但本文为重塑地理历史做出了贡献。同样,对20世纪早期天主教传教事业的考察提供了对帝国背景下爱尔兰的复杂性和戏剧性的批判性见解。

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