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Dance in the store: on the use and production of music in Abercrombie & Fitch

机译:商店中的舞蹈:Abercrombie&Fitch中音乐的使用和制作

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This article aims to contribute to the understanding of the functions of music in stores and similar semi-public settings through a critical discourse analysis of the music in Abercrombie & Fitch (A&F). This is an important field of study, which can arguably only grow in significance. Semi-public commercial places are increasingly struggling to create a strong and appealing image or brand. A range of challenges facing the retail sector lay down the premises for such a struggle: a retail market ever more competitive, parity products en masse, increased sales via the Internet, time-pressured consumers and, currently, declining sales. For creating and preserving a strong brand, music can play a decisive role in combination with other supplementary aspects of store design such as scents, interior and décor. The article examines the following questions which are concerned with the aesthesis or perception of music rather than with its production or construction (itspoïesis): What are the defining structural and semiotic characteristics of the in-store music in A&F? In what way does the music combine with other semiotic resources on display in the store? How might the semiotic resources affect experiences and interactions among consumers and store assistants? Inspired by Norman Fairclough's model for critical discourse analysis and based on exploratory and open-ended observations in A&F stores in London and Copenhagen during 2011, the article begins with a text analysis and then proceeds to relevant dimensions of processing analysis and social analysis. In particular, three functions of the music in A&F are discussed: an ‘architectural function’, a ‘psychobiological function’ and a ‘knowledge activation function’.View full textDownload full textKeywordsin-store music, semiotics of music, musical discourse, critical discourse studies, conceptual blending theory, branding, multimodality, dance, Abercrombie & FitchRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/17405904.2012.713208
机译:本文旨在通过对Abercrombie&Fitch(A&F)中音乐的批判性话语分析,为理解商店和类似的半公开环境中的音乐功能做出贡献。这是一个重要的研究领域,可以说只有重要的意义。半公共商业场所正越来越努力地建立强大而吸引人的形象或品牌。零售业面临的一系列挑战为这样的斗争打下了基础:零售市场竞争日趋激烈,同等产品大量涌现,通过互联网的销量增加,时间紧迫的消费者,以及目前销量下降。为了创建和保留强大的品牌,音乐可以与商店设计的其他补充方面(例如气味,室内装饰和装饰)结合起来发挥决定性作用。本文研究了以下与音乐的美学或感知有关的问题,而不是与音乐的生产或构造(本质)有关的问题:A&F店内音乐的定义结构和符号学特征是什么?音乐以什么方式与商店中展示的其他符号资源相结合?符号资源如何影响消费者与商店助理之间的体验和互动?受到Norman Fairclough的批评性话语分析模型的启发,并基于2011年伦敦和哥本哈根A&F商店的探索性和开放式观察,本文从文本分析开始,然后进行到处理分析和社会分析的相关维度。特别是讨论了音乐在A&F中的三个功能:“建筑功能”,“心理生物学功能”和“知识激活功能”。查看全文下载全文关键字店内音乐中的关键字,音乐符号学,音乐话语,批判性话语研究,概念融合理论,品牌推广,多模式,舞蹈,Abercrombie&FitchRelated var addthis_config = { linkedin,facebook,stumbleupon,digg,google,更多“,发布ID:” ra-4dff56cd6bb1830b“};添加到候选列表链接永久链接http://dx.doi.org/10.1080/17405904.2012.713208

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