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Supervising the Show

机译:监督演出

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摘要

Grady Cofer and Pablo Helman shared the job of supervising the visual effects for Battleship. Cofer was involved from the start in 2009 when director Peter Berg pitched the idea to Industrial Light & Magic. Helman joined the crew later, after he finished work on Airbender. All told, the film had 1500 visual effects shots, with ILM creating the majority. In addition to a crew of 250 at ILM, the supervisors and Animation Director Glen Mclntosh oversaw work from three other studios: Image-Engine, the Embassy, and Scanline. The effects consisted of the water simulation, creature animation, ships, and destruction. The creatures were linebacker-sized humanoid aliens but with four fingers spread around their hands like a claw; they usually appeared wearing a full suit of armor.
机译:Grady Cofer和Pablo Helman共同负责监督战舰的视觉效果。 Cofer从2009年开始就参与其中,当时导演Peter Berg将这个想法推荐给Industrial Light&Magic。在完成Airbender的工作后,Helman随后加入了机组人员。总而言之,这部电影拍摄了1500张视觉效果镜头,其中ILM占据了绝大多数。除了ILM的250名工作人员外,主管和动画总监Glen Mclntosh还监督了其他三个工作室的工作:图像引擎,大使馆和Scanline。效果包括水仿真,生物动画,飞船和破坏。这些生物是后卫大小的类人动物外星生物,但四指像爪子一样在他们的手周围散开。他们通常穿着全套盔甲出现。

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