【24h】

MACHINIMA UNPLUGGED

机译:马希尼玛未塞

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摘要

Kevin Margo moves about the mocap floor during a capture session for his short film called "Construct." Only, in this case, Margo doesn't have a single marker on his body. That's because his movements are not being captured. What is being captured is the OptiTrack hardware that he's carrying. Within Margo's hands is a marker-tracked housing that includes an LCD screen and a set of buttons on a panel. On the screen, he can see his actors - except, on screen, they are robots, and In place of a spongy blue floor is the Inside of a house that's being constructed. This house Is a completely digital fabrication within a real-time render done with Chaos Group's V-Ray and a host of hardware, including Nvidia K6000S. With barely a two- to three-frame lag, Margo can see his entire digital set, along with the captured actors driving their robot counterparts. It is both real and digital - cinema and machinima.
机译:凯文·马戈(Kevin Margo)在他的短片《构造》(Construct)的拍摄环节中走到了陷阱的地板上。仅在这种情况下,Margo的身体上没有单个标记。那是因为他的动作没有被捕捉到。所捕获的是他携带的OptiTrack硬件。在Margo的手中是一个标记跟踪的外壳,该外壳包括LCD屏幕和面板上的一组按钮。在屏幕上,他可以看到他的演员-除了在屏幕上,他们是机器人,而且正在建造的房屋内部代替了海绵状的蓝色地板。这栋房子是由Chaos Group的V-Ray和包括Nvidia K6000S在内的许多硬件完成的实时渲染中的完全数字化制作。仅有两到三帧的延迟,Margo可以看到他的整个数字集,以及被捕获的演员驾驶他们的机器人同行。它既是真实的又是数字的-电影院和电影机。

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