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Postmodernism and Punk Subculture: Cultures of Authenticity and Deconstruction

机译:后现代主义与朋克亚文化:真实性与解构性文化

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摘要

This paper examines punk subcultures as a response to "the condition of postmodernity," defined here as a crisis of meaning caused by the commodi-fication of everyday life. Punk musicians and subcultures have responded to this crisis in one of two ways. Like other forms of "plank parody" associated with postmodernism, the "culture of deconstruction" expresses nihilism, ironic cynicism, and the purposelessness experienced by young poeple. On the other hand, the "culture of authenticity" seeks to establish a network of underground media as an expression of artistic sincerity and independence from the allegedly corrupting influences of commerce. Although these cultures are in some ways diametrically opposed, they have represented competing tendencies within punk since the 1970s, and I argue that they are both reactions to the same crisis of postmodern society.
机译:本文考察了朋克亚文化对“后现代性条件”的反应,后现代性在此定义为日常生活商品化引起的意义危机。朋克音乐家和亚文化以两种方式之一应对了这场危机。像与后现代主义相关的其他形式的“木板模仿”一样,“解构文化”表达了虚无主义,讽刺的犬儒主义和年轻人们所经历的无目的性。另一方面,“真实性文化”试图建立一个地下媒体网络,以表达艺术上的诚意和独立性,摆脱所谓的商业影响。尽管这些文化在某些方面截然相反,但它们代表了自1970年代以来朋克内部的竞争趋势,我认为它们都是对后现代社会危机的反应。

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  • 来源
    《The communication review》 |2004年第3期|p.305-327|共23页
  • 作者

    RYAN MOORE;

  • 作者单位

    Department of Sociology, 1415 Jayhawk Boulevard, University of Kansas, 716 Fraser Hall, Lawrence, KS 66045-7556;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 文化、科学、教育、体育;
  • 关键词

  • 入库时间 2022-08-18 01:23:26

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