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UNANSWERED QUESTIONS IN AUDIENCE RESEARCH

机译:受众研究中的无疑问的问题

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As its title implies, this article explores a number of unanswered questions and outstanding issues in contemporary audience research. These include: models of the "active audience"; questions of cultural power; global media and transnational audiences; methodologies in audience research; problems of essentialism in the conceptualization of categories of audience members; the strengths and limitations of the encoding/ decoding model; models of intellectual progress in the field; the new media and technologies of "newness." My title is derived from Bertolt Brecht's "Anecdotes of Mr Keuner" in which he extols the virtue of thinking up questions to which we do not have answers (Brecht, 1966). Working from this principle, rather than trying to formulate solutions to the problems of our field, my contribution here is based on questions in media audience research to which I, at least, do not have the answers, as a way of taking stock of what exactly it is that we think we now know about the field.
机译:顾名思义,本文探讨了当代受众研究中的许多悬而未决的问题和悬而未决的问题。这些包括:“活跃受众”的模型;文化力量问题;全球媒体和跨国受众;受众研究方法;受众成员类别概念化中的本质主义问题;编码/解码模型的优势和局限性;该领域知识进步的模式;新媒体和新技术。我的头衔来自于伯托特·布莱希特(Bertol Brecht)的《基纳先生轶事》,其中他夸大了思考我们没有答案的问题的美德(Brecht,1966)。从这个原则出发,而不是试图为我们领域的问题制定解决方案,我在此所做的贡献是基于媒体受众研究中的问题,我至少对此没有答案,作为盘点什么的一种方式恰恰是我们认为我们现在已经了解该领域。

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