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Identity and Image in the Media

机译:媒体中的身份和形象

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摘要

Careful observers of communication like Walter Lippmann in his 1922 book, Public Opinion, have long noted that communication products (newspapers for Lippmann; radio, film, television, and, later on, the digital world) shape people's understanding of the world. Since most of us can have direct experience of only a small part of the world, we depend upon what others tell us. Others who command large audiences such as those generated by the news and entertainment industries can have an impact beyond their individual reach. Lippmann's observation may have functioned as an "aha" moment for many; it coincided with early communication research and at least indirectly led scholars to examine the issue more closely. Harold Lasswell's classic 1927 study, Propaganda Technique in World War Ⅰ, took up the theme, focused on how governments aimed to shape public opinion, both in their own nations and in those of their enemies, often through mass media outlets. Advertising agencies had more or less reached the same conclusion from their applied work of getting products before the public, even if they did not have a good theory to explain their results or even target particular audiences.
机译:像沃尔特·利普曼(Walter Lippmann)在其1922年出版的《民意》一书中,通信的仔细观察者早就注意到通信产品(针对Lippmann的报纸;广播,电影,电视以及后来的数字世界)影响着人们对世界的理解。由于我们大多数人只能在世界的一小部分拥有直接的经验,因此我们依赖于其他人告诉我们的内容。诸如新闻和娱乐行业所吸引的那些吸引大量观众的其他人可能会产生超出其个人影响力的影响。 Lippmann的观察对于许多人来说可能是“ aha”时刻。它与早期的传播研究相吻合,至少间接地导致学者们更加仔细地研究了这个问题。哈罗德·拉斯韦尔(Harold Lasswell)于1927年进行的经典研究《第一次世界大战中的宣传技术》(Propaganda Technique in First World)成为该主题的焦点,着眼于政府如何通过自己的国家和敌人(通常是通过大众媒体)来塑造公众舆论。广告代理商从他们向公众获取产品的应用工作中或多或少地得出了相同的结论,即使他们没有很好的理论来解释其结果,甚至没有针对特定的受众。

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  • 来源
    《Communication research trends》 |2016年第2期|3-3|共1页
  • 作者

    Santiago Arias;

  • 作者单位

    College of Media and Communication at Texas Tech University;

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  • 原文格式 PDF
  • 正文语种 eng
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