This article analyzes the legal conflicts during the 1990s over the extent of copyright limitations on the use of a visual artwork within another creative work in three types of media: postmodern art, publications and movies and television. The authors conclude that if a visual work is incorporated into a film or television program such that the presence of the visual work is scarcely perceptible, such a use might be considered so insignificant that copyright law will not forbid the use.
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