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Exiled Writers, Human Rights, and Social Advocacy Movements in Australia: A Critical Fugal Analysis

机译:在澳大利亚的流亡作家,人权与社会倡导运动:批判性的本性分析

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Whereas much work in cultural and communication studies of “the subject” and subjectivity in language has focused on deconstructive theory and critique disconnected from actual practice and people, this paper applies an innovative cultural studies approach to a journalism reflective practice research project, conducted by the author, into human rights advocacy for cases of exiled writers in immigration detention centers in Australia. In the intellectual context of “counter-hegemonic” theories that use music as an analogy for affective social relations, the paper applies what is herein termed a “fugal critical analysis,” by drawing on both musical and psychological meanings of fugue (as musical counterpoint and psychological loss of awareness of self-identity following trauma) to discuss a human rights research project. The project includes conducting interviews with an exiled Ivory Coast journalist, and an Iranian poet-musician, and their advocates, including founding member of PEN's Writers in Detention committee whose publication of an exiled writers' anthology helped secure their releases on a case by case basis. The paper argues that direct engagement with cases of social injustice—here crystallized in the encounter of the interview—brings new relevance to cultural studies research practice that can effect significant changes in perception and action; in this case shifting consideration of “the subject” from the much publicized hypothetical “death of the author” of recent theory, to actual cases of exiled endangered writers, bringing cultural studies research into institutional spaces where cases can be humanely heard and supported, not merely critiqued and deconstructed.View full textDownload full textKeywordsWriters in Exile, Fugal Critical Analysis, PEN, AustraliaRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14791420.2010.504596
机译:尽管在“主题”和语言的主体性方面的文化和传播研究中有许多工作侧重于与实际实践和人们脱节的解构理论和批评,但本文将创新的文化研究方法应用于新闻业反思性实践研究项目,由提交人进行的调查,转为在澳大利亚移民拘留中心为流亡作家的案件提倡人权。在使用音乐作为情感社会关系的类比的“反霸权”理论的思想背景下,本文通过借鉴音乐和心理方面的知识,运用了本文所说的“模糊批判分析”。赋格的含义(作为音乐对立和心理创伤导致丧失自我认同的心理)来讨论一项人权研究项目。该项目包括对流亡的科特迪瓦记者,伊朗诗人和音乐家以及他们的拥护者进行采访,其中包括PEN拘留所作家委员会的创始成员,他们发表的关于流亡作家选集的出版物有助于确保他们的释放在逐案的基础上进行。 。该论文认为,与社会不公正案件的直接交往-在访谈中被明确体现出来-给文化研究的研究实践带来了新的相关性,从而可能导致观念和行动的重大改变。在这种情况下,将“主题”的考虑从广为流传的假说“作者之死”转移到流亡的濒临灭绝作家的实际案例,将文化研究纳入可能发生案例的制度空间人道的听到和支持,而不仅仅是受到批评和解构。 Delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14791420.2010.504596

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