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The prolonged celebrity of Mel Brooks: adapting to survive in the multimedia marketplace, 1961-2004

机译:长期的名人梅尔·布鲁克斯(Mel Brooks):为了在多媒体市场中生存而努力,1961-2004年

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This article examines the strategies by which Mel Brooks has survived as a performer for a prolonged period of time in the competitive and unpredictable industries of film, television and other media. In contrast to the careers of many film comedians, Brooks has not manufactured an easily definable ‘star’ image as has been identified in the careers of Bob Hope, Robin Williams (King 200249. King, G. 2002. Film comedy , London: Wallflower Press. View all references, p. 32) and Jim Carrey (Drake 200324. Drake, P. 2003. “Low blows? Theorizing performance in post-classical comedian comedy”. In Hollywood comedians, the film reader , Edited by: Krutnik, F. 187-198. London: Routledge. View all references, p. 196). Instead, Brooks has significantly adapted his performance style and personas for different media and for new historical eras. At the same time, Brooks has supplemented his career with new roles including that of film director, film producer through his company Brooksfilms, and Broadway theatre producer - together making his image complex and hard to define, but always contributing towards Brooks's celebrity status. In this respect, Brooks's strategy reflects broader industrial trends in which celebrity status has become increasingly more important to career survival than an artist's unique performance skills (King 201047. King, B. 2010. Stardom, celebrity, and the money form. The Velvet Light Trap , 65: 7-19. View all references, p. 9). Most significantly, however, this article examines the relationship between career longevity and critical acclaim - an area of study that has, so far, been neglected. In short, this article examines how Brooks's prolonged celebrity, sustained and complicated over many decades of performance adaptations, has ultimately earned him critical prestige today.View full textDownload full textKeywordssurvival, Mel Brooks, prolonged celebrity, adaptation, stardomRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/19392397.2011.609342
机译:本文探讨了梅尔·布鲁克斯(Mel Brooks)在电影,电视和其他媒体的竞争性和不可预测的行业中长期作为表演者生存的策略。与许多电影喜剧演员的职业形成鲜明对比的是,布鲁克斯并未像鲍勃·霍普(Rob Williams)的鲍勃·霍普(King 200249. King,G. 2002)所描绘的那样,制造出易于定义的“明星”形象。伦敦:Wallflower出版社,查看所有参考文献,第32页)和吉姆·卡里(吉姆·卡里)(德雷克200324。德雷克,2003年。“低吹吗?后古典喜剧喜剧的理论表现”。在好莱坞喜剧演员中,电影读者) ,编辑者:Krutnik,F。187-198;伦敦:Routledge。查看所有参考,第196页。相反,布鲁克斯针对不同的媒体和新的历史时代极大地调整了他的表演风格和角色。同时,布鲁克斯还通过担任电影导演,电影制片人(通过其公司Brooksfilms)和百老汇剧院制片人等新角色来补充他的职业生涯,这使他的形象既复杂又难以定义,但始终为布鲁克斯的名人地位做出了贡献。在这方面,布鲁克斯的策略反映了更广泛的行业趋势,在这种趋势中,名人的地位对职业生存越来越重要,而不是艺术家独特的表演技能(King201047。King,B。2010。明星,名人和金钱形式。天鹅绒之光陷阱,65:7-19。查看所有参考,第9页)。然而,最重要的是,本文探讨了职业寿命和广受赞誉之间的关系-迄今为止,这一领域一直被忽略。简而言之,本文探讨了布鲁克斯长期以来的名流如何在数十年的表演改编中持续而复杂,最终如何在今天赢得了他的声望。查看全文下载全文“泰勒和弗朗西斯在线”,services_compact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/19392397.2011.609342

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    《Celebrity Studies》 |2011年第3期|p.335-352|共18页
  • 作者

    Alex Symonsa*;

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