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‘Between the blank page and the poem': Reading Simone Weil in Contemporary American Poets

机译:“在空白页和诗歌之间”:读当代美国诗人西蒙妮·威尔

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摘要

This essay considers how Simone Weil figures in—and has been re-configured through—the work of three contemporary American poets for whom her legacy is a source of continuing inspiration—and consternation. The essay looks at how Weil's biography and philosophical writing figure in the work of Fanny Howe and Stephanie Strickland, and briefly at Jorie Graham, whose poetics are largely drawn from the paradoxical dialectic of Weil's life and works. The liminality of Weil's beliefs and her elusive, intermediary authorial status encourage poets to embody, quote, and paraphrase her work, seeking to grapple with the possibilities of the life of the spirit in the modern world.
机译:本文考虑了西蒙妮·威尔(Simone Weil)如何理解并重新配置了三位当代美国诗人的作品,而她的遗产是他们不断传承的灵感和震惊的来源。本文着眼于范妮·豪(Fanny Howe)和斯蒂芬妮·斯特里克兰(Stephanie Strickland)著作中魏尔的传记和哲学著作,以及乔里·格雷厄姆(Jorie Graham)的著作,这些诗学在很大程度上取材于魏尔生活和作品的悖论辩证法。魏尔的信仰的合法性和她难以捉摸的中间作者地位,鼓励诗人体现,引用和诠释她的作品,力图解决这种精神生活在现代世界中的可能性。

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