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TEN OF THE BEST

机译:十佳

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摘要

Brutalism is not often an easy style for new architecture to compliment, particularly when the existing buildings are part of a highly regimented university campus masterplan with a lakeside setting. But this is a task that Patel Taylor's new additions accomplish with both sensitivity and vigour, crafting a highly nuanced and individualistic contemporary response to both physical and natural context that merges perfectly with its overriding 1960s physical backdrop. Two new buildings have been created: The first is a new student centre whose pale stone walls, strong horizontal lines and pilotti-supported double-height canopy speak of a rhythmic, pavilion-like elegance that merges seamlessly into its lakefront setting. The second, the library, on the other hand, evokes the more strident monumentality of the original blocks, hoisting a muscular four storey concrete block high above another double-height canopy. The entire composition is woven into the lake and grounds by means of a powerful linear landscape comprising a series of new axial routes. Together, both buildings and landscape offer a superlative masterclass on how sensitivity can energise rather than dilute intervention.
机译:对于新的建筑而言,野兽派通常不是一件容易的事,尤其是当现有建筑是湖滨环境中严格控制的大学校园总体规划的一部分时。但这是Patel Taylor的新成员在敏锐而有活力的情况下完成的一项任务,它对自然和自然环境做出了细微差别和个人主义的当代反应,并与1960年代的自然背景完美融合。已创建了两座新建筑:第一个是新的学生中心,其淡淡的石墙,坚固的水平线和飞行员支撑的双高顶篷讲述着一种有节奏感的,类似凉亭的优雅风格,并无缝融合到了湖边。另一方面,图书馆唤起了原始砖块更为强烈的纪念性,将一个肌肉发达的四层混凝土砖块吊在另一个双高顶棚上方。整个构图通过强大的线性景观编织到湖泊和地面中,包括一系列新的轴向路线。建筑物和景观共同提供了最高级的大师班,说明敏感性如何激发而非稀释干预。

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  • 来源
    《Building》 |2016年第38期|34-39|共6页
  • 作者

    Ike Ijeh;

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  • 正文语种 eng
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  • 入库时间 2022-08-18 00:32:51

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