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A stage for life

机译:人生的舞台

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摘要

Whenever visiting a newly completed house for these pages, I have come to expect the quiet aside on the outward car journey when the architect warns me about the element of the project that was wrested from their control. It could be the epic Bosch kitchen that the client parachuted in from the showroom at the last moment or the planting scheme by which they are belatedly suburbanising a design that turned out to be a shade more ferocious than they had banked on. Inevitably, the photographer's attention gets directed away from such embarrassments and more often than not the critic's does too - a sympathetic cover-up predicated on the understanding that the process of designing a house is akin to a war between architect and client and that even the best architect can't expect to win all the battles.
机译:每当访问新建的房屋来浏览这些页面时,我都会期待建筑师在警告我有关从其控制权中夺回的项目要素时,在向外行驶的汽车中保持安静。可能是客户在最后时刻从陈列室跳来的史诗般的博世厨房,或者是种植计划,使他们迟来的郊区化了一种设计,结果证明这种设计比他们想像的还要凶猛。不可避免地,摄影师的注意力会从这种尴尬中移开,而批评者的注意力往往也并非如此-充满同情心的掩盖是基于这样的理解,即房屋的设计过程类似于建筑师与客户之间的战争,甚至最好的建筑师不能指望赢得所有的战斗。

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  • 来源
    《Building design》 |2010年第1937期|p.12-15|共4页
  • 作者

    Ellis Woodman;

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