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The Outer Limits

机译:外在极限

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摘要

Most Americans may not be ready to accept gay marriage, but consider this: Not only does NBC's Will & Grace play in Peoria, it plays 20% better in the Illinois city than it does nationwide. The same holds true for other gay-themed shows that conventional wisdom claimed wouldn't fly in the fly-over states. In fact, Thorn Filicia, the designer on Bravo's Queer Eye for the Straight Guy, is now featured in Pier One ads, a subtle turn of the cultural corner for a mass merchandiser. "When mainstream advertisers use a gay spokesman, that's a big change," says Arthur Gruen, a partner at research firm Wilkofsky-Gruen Associates. He points out what some advertisers are just discovering: Gays have a relatively high per-capita disposable income. More significant, he notes, consumers now associate gay with being hip, an attitude once reserved for the tres chic fashionista magazine readers. That's why Pier One likes having Filicia around.
机译:大多数美国人可能还没有准备好接受同性恋婚姻,但请考虑一下:NBC的Will&Grace不仅在皮奥里亚(Peoria)演出,而且在伊利诺伊州的演出比全国范围的演出好20%。其他以同性恋为主题的节目也是如此,传统的智慧声称不会在飞越状态下飞翔。实际上,布拉沃(Bravo)的“直男”酷儿眼(Jeeer Eye for Straight Guy)的设计师Thorn Filicia现在已出现在“码头一号”广告中,这对于大宗商品销售商来说是文化转折的微妙转折。研究公司Wilkofsky-Gruen Associates的合伙人Arthur Gruen说:“当主流广告商使用同性恋发言人时,这是一个很大的变化。”他指出了一些广告客户正在发现的东西:同性恋者的人均可支配收入较高。他指出,更重要的是,消费者现在将同性恋与髋关节联系在一起,这种态度曾经保留给tres chic fashionista杂志读者。这就是为什么Pier One喜欢周围有Filicia。

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