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Barbara Lloyd Remembered

机译:芭芭拉·劳埃德(Barbara Lloyd)记得

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摘要

In the contemporary world of art and photography the patron has become a fashionable and integral part of the growth and development of most major art institutions. Today they are the supporters that every arts organisation needs to survive and prosper. Galleries organise courses on how to become a patron. Patrons are interviewed in the weekend press about their taste in art. You can find their names listed in print, on websites and in the entrances to many of our cultural organisations. Yet when you read these names they give little away about the individual behind the good deed. I would like to tell you about one of these individuals, someone I knew and greatly admired for many years.I first met Barbara Lloyd in 1994 when I became the director of The Photographers' Gallery. She was then a trustee and later became the chairman of the board. She had been a supporter of The Photographers' Gallery for many years and had known the two previous directors. We worked together to bring in new trustees such as John Hegarty (Bartle, Bogle, Hegarty), Geoff Mulgan (first head of the think tank Demons before joining the Governments Strategy Unit) Fred Manson (former head of Planning, Southwark Council) and the photographer, Karen Knorr.
机译:在当代艺术和摄影界,顾客已成为大多数主要艺术机构成长和发展的时尚组成部分。今天,它们是每个艺术组织生存和繁荣所需的支持者。画廊组织有关如何成为赞助人的课程。周末媒体对顾客进行了有关其艺术品位的采访。您可以在印刷品,网站以及我们许多文化组织的入口处找到他们的名字。但是,当您阅读这些名称时,他们对善行背后的个人一无所知。我想告诉你一个这样的人,我认识并很受推崇多年。1994年,我成为摄影师画廊的主管时,我第一次见到了芭芭拉·劳埃德(Barbara Lloyd)。她当时是受托人,后来成为董事会主席。她多年来一直是摄影师画廊的支持者,并且认识前两位导演。我们共同努力,吸引了新的受托人,例如约翰·希格蒂(Bartle,Bogle,Hegarty),杰夫·穆尔甘(Geoff Mulgan)(加入政府战略部之前的恶魔智库的第一任负责人),弗雷德·曼森(Fred Manson)(南华克委员会前规划主管)和摄影师,Karen Knorr。

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