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The problems of owning culture: global intellectual property law and ‘traditional’ community arts in Indonesia

机译:拥有文化的问题:印度尼西亚的全球知识产权法和“传统”社区艺术

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摘要

In our digital age when most movies viewed at home carry Interpol warnings that copyright piracy is a crime, yet patented medicines are unaffordable for millions, ethical debates about intellectual property rights and freedom of information are becoming widespread. But a less noticed topic in these debates is the recent international effort to expand and implement Euro-American models of intellectual property law among peoples whose daily activities previously have not been covered by formal intellectual property laws (primarily copyright, patent, and trademark regulations). This essay considers how this trend is unfolding in post-Suharto Indonesia, particularly the tension between national efforts to create legal property rights over cultural resources and the fact that most ordinary Indonesians do not view their cultural knowledge and aesthetic or ritual activities as property to be claimed in an exclusive way by their ethnic group or government. Plans to legalize the cultural ownership of regional arts are addressed with ethnographic examples from Indonesian fieldwork including 2005-07 visits conducted by an international team of lawyers, musicologists, anthropologists, and Indonesian community activists with ‘traditional’ arts producers from eleven cultural regions in eight provinces.View full textDownload full textKeywordsintellectual property, law, arts, cultural expressions, heritage, Southeast AsiaRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/14631369.2012.710077
机译:在我们的数字时代,大多数在家中观看电影的人都在向国际刑警组织发出警告,指出盗版版权是一种犯罪,而专利药物却是数百万人买不起的,有关知识产权和信息自由的道德争论日益广泛。但是,在这些辩论中鲜为人知的话题是最近国际上为在以前的日常活动未包括在正式的知识产权法(主要是版权,专利和商标法规)中的人们之间扩展和实施欧美知识产权法模型的努力。 。本文考虑了在苏哈托后的印度尼西亚,这种趋势是如何发展的,特别是国家为文化资源建立合法财产权的努力与大多数普通印度尼西亚人不将其文化知识和审美或仪式活动视为应拥有的财产之间的紧张关系。由其族裔或政府以专有方式宣称。印度尼西亚实地考察的人种学实例涉及解决将地区艺术的文化所有权合法化的计划,包括由律师,音乐学家,人类学家和印度尼西亚社区活动家组成的国际团队与来自11个文化国家的“传统”艺术生产者一起进行的2005-07年访问八个省份的地区。查看全文下载全文关键字知识产权,法律,艺术,文化表现形式,遗产,东南亚,facebook,stumbleupon,digg,google,更多”,发布号:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/14631369.2012.710077

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  • 来源
    《Asian Ethnicity》 |2012年第4期|p.399-417|共19页
  • 作者

    Lorraine V. Aragona*;

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  • 入库时间 2022-08-17 13:13:31

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