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The Boundaries of the Literary Archive: Reclamation and Representation,

机译:文学档案馆的边界:填海与制图,

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摘要

Archives tend to attract public attention when they manage the personal records of the noted and the notorious. The announcement, for example, that Germaine Greer had donated her personal archive to the University of Melbourne in 2013, and further updates more recently about the challenges of processing the hybrid paper/digital collection, received wide media coverage. Former Senior Curator at the Mitchell Library at the State Library of New South Wales, Paul Brunton, used to get excellent mileage in his talks and tours out of stories from the Patrick White archive. There is something that captures the imagination about the glimpses into the personal lives and creative processes of our favourite authors that can come from these records.
机译:当档案馆管理着名的和臭名昭著的个人记录时,往往会引起公众的关注。例如,关于Germaine Greer于2013年将她的个人档案捐赠给墨尔本大学的公告,以及最近关于处理混合纸张/数字馆藏的挑战的最新更新,得到了广泛的媒体报道。新南威尔士州州立图书馆Mitchell图书馆的前高级策展人Paul Brunton过去经常利用Patrick White档案馆的故事进行演讲和巡回演出。从这些记录中可以发现关于我们最喜欢的作者的个人生活和创作过程的一瞥的想象力。

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  • 来源
    《Archives and manuscripts》 |2017年第1期|46-48|共3页
  • 作者

    Cassie Findlay;

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  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-17 23:19:26

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