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Dancing between the trees - the Levitating Theatre by Unism Studio

机译:树木之间的跳舞 - 联合国工作室的悬浮剧院

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Located between Warsaw and Lublin, the small town of Bronice has hit the headlines with a "floating" theatre stage. Konrad Weka und Artur Zakrzewski, two young architects from the idyllic Masuria region of Poland, met each other in London, where they set up their office Unism Studio. Graduates of University College London and the Architectural Association, the name of their office refers to the Polish theorist Wladyslaw Strzeminski. As a representative of Poland's constructivist avant-garde, in 1938 together with his wife and the well-known artist Katarzna Kobro, he formulated the Unism theory. Based on a holistic approach to painting and sculpture, it addresses the play between colour, line, surface and space. Here work and context blend to form an entity, with the aim of elevating art to the highest "spiritual" form of appearance. The floating theatre in the magnificent garden of Bronice Palace aims at conveying a similar impression. This eighteenth century house had a turbulent history, until in the 1990s it came into the possession of the Wolk-Laniewski family which began an overall renovation in 2014. The current owner, Agnieszka Koecher-Hensel, theatre historian and professor of stage design at the Academy of Fine Arts in Warsaw, opened the Bronice Kolonia Manor House cultural centre, which presents up to 50 productions annually. Coming from the ballroom you enter the park and reach a wooden structure with wavy edges, which has been placed amidst a dominant group of trees. While the carbonised wood takes up the colour of the vegetation, a "plinth" of mirrors along the edge of the organic structure reflects the nearby grass and earth. When it grows dark LED lights strengthen the illusion of a floating wooden stage, which during the performances becomes a spectacular visual experience. As the architects explain, the main concern was to capture the peaceful atmosphere of nature and to interfere as little as possible with the surrounding space. Landscape and nature become a part of the function, and so the treetops offer natural protection from sun and rain. The special placing of the seats around the entire edge of the stage allow various views of the stage itself, of the park and of the historic buildings belonging to it. For other events the flat, 70-cm- high stage can also be used as a table. Unism Studio regard it as important not to lose the significance of local handicrafts and to allow these to make an impact on their work. And so, the theatre was self-built, with a low budget and using local suppliers.
机译:位于华沙和卢布林之间,小镇正孔击中了“浮动”剧院舞台的头条新闻。 Poland田园诗般的Masuria地区的两名年轻建筑师Konrad Weka Und Artur Zakrzewski互相遇到了伦敦,在那里他们设立了办公室联合国工作室。伦敦大学学院的毕业生和建筑协会,他们的办公室的名称是指波兰理论家Wladyslaw Strzeminski。作为波兰建构主义前卫的代表,1938年与他的妻子和着名的艺术家Katarzna Kobro一起制定了联合理论。基于绘画和雕塑的整体方法,它解决了颜色,线,表面和空间之间的播放。这里有工作和背景混合形成一个实体,目的是提升艺术,以最高的“精神”的外观形式。浮剧剧院在正面的正面宫殿旨在传达类似的印象。这个十八世纪的房子有一个动荡的历史,直到20世纪90年代,它进入了Wolk-laniewski家族,在2014年开始了整体翻新。当前所有者,Agnieszka KoeCher-Hensel,剧院历史学家和舞台设计教授华沙美术学院开设了正好展示了前往50份生产的正思尔·凯伦庄园文化中心。来自宴会厅,您进入公园,并用波浪边缘到达木结构,这已被放置在一群占主导地位的树木中。虽然碳化的木材占据了植被的颜色,但沿着有机结构边缘的镜子的“螺钉”反映了附近的草地和地球。当它增长黑暗的LED灯时,加强浮动木舞台的幻觉,在表演期间成为一种壮观的视觉体验。随着建筑师的解释,主要关注的是捕捉大自然的和平气氛,并尽可能地与周围的空间相干。景观和自然成为该功能的一部分,因此树梢提供自然保护免受阳光和雨水。在舞台的整个边缘周围的特殊放置座椅允许舞台本身的各种观点,公园和属于它的历史建筑物。对于其他事件,平坦,70厘米高级也可以用作表格。联合国工作室认为这是重要的,不要失去当地手工艺品的重要性,并让这些人对他们的工作产生影响。因此,剧院是自制的,预算低,使用本地供应商。

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  • 来源
    《Architektur aktuell》 |2019年第10期|28-28|共1页
  • 作者

    Dominika Glogowski;

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  • 入库时间 2022-08-18 21:40:35

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