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Interview: Producing Alternatives for Now and Beyond

机译:面试:现在和以后生产替代品

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Editor: Storefront certainly appears to be a starting point for many young emerging architects in the US, including interviewees for the issue. What is it like to work with them? Eva Franch (EF): We have done several projects with these architects. Jimenez and I met when he was teaching at Ohio State University and I was teaching at SUNY Buffalo. His energy and ability to produce uncanny forms was already evident, and he has become a distinct voice of our generation. In 2014, we commissioned Jimenez to do "Speechbuster in collaboration with artist Grayson Cox. Storefront is an institution and a space for exhibitions but more importantly is a space for collective engagement, discourse and debate; I asked him to make another Storefront, almost like a ghost, capable to produce the same space of engagement but in an itinerant manner as a nomadic structure that can host 99 people, and produce a playful ground to enact new ways of public debate and discourse.
机译:编辑:店面无疑是美国许多年轻的新兴建筑师(包括该问题的受访者)的起点。与他们合作感觉如何? Eva Franch(EF):我们已经与这些建筑师一起完成了多个项目。 Jimenez和我在俄亥俄州立大学任教时相识,而在纽约州立大学布法罗分校任教。他的能力和产生异常形式的能力已经很明显,并且已经成为我们这一代人的独特声音。 2014年,我们委托Jimenez与艺术家Grayson Cox合作进行“演讲嘉宾。店面是一个机构和展览空间,但更重要的是一个集体参与,讨论和辩论的空间;我要求他开设另一个店面,就像一个幽灵,能够产生与游牧结构相同的参与空间,但具有流动性,可以容纳99人,并为开辟新的公共辩论和讨论方式提供了一个有趣的场地。

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    《建築と都市》 |2017年第560期|78-81|共4页
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  • 入库时间 2022-08-17 23:46:19

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