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Architecturally, Melbourne is wacky. For a long time, the capital of Victoria seemed to be the seat of provincial respectability. But in the mid 1970s, tectonic culture was transformed, largely by Peter Corrigan of Edmund and Corrigan, who brought a sense of Irish larrikinism, disrespect for the po-faced and a continual questioning of what architecture is about and what it can do. The arrival of Leon van Scheik as professor at the Royal Melbourne Institute of Technology (RMIT) reinforced the tendency, which is not confined to the profession, but infects the whole of society and its attitude to architecture. Ashton Raggatt McDougall began to muck about with fractal geometries in architecture a decade ago.
机译:在建筑上,墨尔本很古怪。长期以来,维多利亚州的首都似乎一直是各省尊敬的所在地。但是在1970年代中期,构造文化发生了变化,主要是由埃德蒙(Edmund)的彼得·科里根(Peter Corrigan)和科里根(Corrigan)带来了爱尔兰的套利主义,不尊重表面的表情,并不断质疑建筑的意义和作用。皇家墨尔本理工学院(RMIT)教授Leon van Scheik的到来强化了这种趋势,这种趋势不仅限于该专业,而且感染了整个社会及其对建筑的态度。十年前,阿什顿·拉格特·麦克杜格尔(Ashton Raggatt McDougall)开始对建筑中的分形几何进行研究。

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