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Christo's gates installation in central park lifts the gloom of a new york winter; thomas heatherwick's big bang stuns manchester; copper in architecture awards; browser; ave davey.New Yorkers are fiercely protective of Central Park, and that is why it took 26 years for Christo and his partner Jeanne-Claude to realize their visionary art work, The Gates. For the last two weeks of February, 23 of the 58 miles of pathways through the 840-acre park were spanned by fluttering panels of rip-stop nylon, supported from 7532 tall vinyl frames in the same marigold hue. The sketches that the artists sell to fund their different projects were exhibited at the Metropolitan Museum of Art and have been published by Yale as a book, so there were no surprises in terms of form, colour, and deployment. The delight came - as it does with all these artists' projects — from the interaction of one simple idea with the physical setting and the unpredictable behaviour of people, weather, and light.
机译:克里斯托(Christo)在中央公园安装的大门揭开了纽约冬季的阴霾。托马斯·希瑟威克(Thomas Heatherwick)的《曼彻斯特大爆炸》建筑铜奖;浏览器纽约人对中央公园给予了严格的保护,这就是克里斯托(Christo)和他的搭档珍妮·克劳德(Jeanne-Claude)花了26年才能实现他们富有远见的艺术作品《盖茨》的原因。在2月的最后两周中,穿过840英亩公园的58英里路径中,有23处由防撕裂尼龙组成的飘动板架,由7532个高乙烯基框架支撑在同一万寿菊色调中。艺术家出售用于不同项目的草图在大都会艺术博物馆展出,并被耶鲁大学出版为书,因此在形式,颜色和展开方面都没有令人惊讶的地方。就像所有这些艺术家的作品一样,这种乐趣来自一个简单的想法与实际环境的相互作用,以及人们,天气和光线的不可预测的行为。

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