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Mies van der Rone

机译:米斯·范·德·罗

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摘要

Mies van der Rohe (whose 125th anniversary is this year) is one of those architects who refuses to go away. In the great wave against Modernism 30 years ago, he was blamed for every banal glass box around the world. Everyone can remember the jingles of course: 'Less is more' and the retort 'Less is a bore'. 'Postmodern classicism' had its revenge in the form of decorated skyscrapers with clumsy cut-out caricatures of keystones and pilasters, but it became obvious that Mies had more of the truly classical in him at the level of idea, proportion and detail. Just when he seemed buried he re-emerged, seen through the lens of a younger generation interested in minimalism and materiality.
机译:密斯·凡·德·罗(Mies van der Rohe)(今年125周年)是拒绝离开的那些建筑师之一。 30年前,在反对现代主义的大潮中,他被指责为世界上每个平庸的玻璃盒子。当然,每个人都可以记住叮当声:“少即是多”,反驳是“少即是无聊”。 “后现代古典主义”以装饰有摩天大楼的形式复仇,这些摩天大楼装饰着笨拙的基石和壁柱剪裁漫画,但很明显,密斯在思想,比例和细节方面都拥有更多真正的古典主义。就在他似乎被埋葬的时候,他重新出现了,从对极简主义和物质性感兴趣的年轻一代的视角来看。

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