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首页> 外文期刊>The Architectural Review >A RIVER OF CONCRETE, THE STAIRS DRAW YOU UP TO THE GLAZED AREAS OVERHANGING THE WOODED RIVERSIDE
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A RIVER OF CONCRETE, THE STAIRS DRAW YOU UP TO THE GLAZED AREAS OVERHANGING THE WOODED RIVERSIDE

机译:一条混凝土河,楼梯将您引向悬空树木繁茂的河滨的玻璃区域

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摘要

Hotel and resortdesign is generally looked down upon by an architectural fraternity that regards its tropes as superficial and its purpose as frivolous. But Singapore-based practice WOHA pursues an honourable tradition of climatically appropriate, tropical resort architecture. And in part, its approach amplifies the low-rise, low-density work of architects such as Sri Lankan Geoffrey Bawa or Australian Peter Muller in the 1970s. The co-founding directors of WOHA, Richard Hassell (himself Australian) and Wong Mun Summ met while working on hotels in Kerry Hill's Singapore office. Their skill has been to successfully adapt these antecedents into high-density urban projects. In their most recently completed work, a $100 million (£60 million) School of the Arts (SOTA), the practice explores such themes in a public building for the visual and performing arts in the heart of Singapore.
机译:酒店和度假胜地设计通常被建筑界的朋友所鄙视,他们将其比喻视为肤浅而目的则视为轻浮。但是,总部位于新加坡的WOHA秉承着气候宜人的热带度假建筑的光荣传统。在某种程度上,它的方法放大了1970年代斯里兰卡的Geoffrey Bawa或澳大利亚的Peter Muller等建筑师的低层,低密度工作。 WOHA的联合创始人,理查德·哈塞尔(Richard Hassell,澳大利亚人本人)和黄门苏姆(Wong Mun Summ)在嘉里山(Kerry Hill)新加坡办公室的酒店工作期间会面。他们的技能是成功地使这些前提适应高密度的城市项目。在最近完成的一项耗资1亿美元(6000万英镑)的艺术学院(SOTA)的工作中,该实践在新加坡中心的公共建筑中探索视觉和表演艺术的主题。

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    《The Architectural Review 》 |2011年第1372期| p.48-55| 共8页
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