Tour views

摘要

I was intrigued by Charles Jencks' 'Architecture Becomes Music' (AR May 2013), especially since I have found that the only aesthetic tools (or 'tuning forks') you have in the everyday architectural toolbox that can lift an otherwise humdrum design are proportion and colour. I was therefore disappointed to find in his visionary article no explicit reference to the Fibonacci series/golden section, nor to experimental psychologist Jean Dauven's research into the correspondence between musical sounds and colours.