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Architecture in China and the Meaning of Modern

机译:中国建筑与现代意义

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What is generally understood by Modern architecture in China is set to be re-evaluated across the world with a major exhibition this summer at the RIBA in London and a significant new book by Edward Denison and Guang Yu Ren. Here co-author and co-curator of Modernism in China, Edward Denison, outlines why we need to look back to China's Modernist roots in the early 20th century if we are to understand the intense modernisation of the present. It has been observed that China's architecture 'is in a state of transition and time alone can show the ultimate outcome'. For a country which, until the early 20th century, proudly boasted the longest continuous architectural traditions humankind has witnessed and which, in the early 21st century, is undergoing the most extensive urban development humankind has witnessed, this observation appears decidedly understated, but since it was penned in the 1920s the author can be forgiven. What China has been through over the past century is nothing short of staggering when compared with any other perceived norm in architecture and urban planning, and yet this transition is still under way.
机译:今夏在伦敦RIBA举行的一次大型展览以及爱德华·丹尼森和光裕仁的一本重要著作,将对世界现代建筑在中国的普遍理解进行重新评估。在这里,中国现代主义的合著者和策展人爱德华·丹尼森(Edward Denison)概述了为什么我们要了解当今的现代化进程,就需要回顾20世纪初中国的现代主义根源。据观察,中国的建筑“处于过渡状态,只有时间才能显示出最终结果”。对于一个直到20世纪初一直自豪地拥有人类所见证的最长的持续建筑传统并且在21世纪初正在经历人类所见证的最广泛的城市发展的国家来说,这种观察似乎被低估了,但是自从那以后最早写于1920年代,作者可原谅。与建筑和城市规划中的任何其他公认规范相比,中国过去一个世纪所经历的一切令人震惊,但这种转变仍在进行中。

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  • 来源
    《Architectural Design》 |2008年第5期|p.118-123|共6页
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  • 正文语种 eng
  • 中图分类 房屋建筑设备;
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  • 入库时间 2022-08-18 00:28:15

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