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摘要

Over the last decade, architecture in Iran has witnessed a dramatic shift after a long period of confusion. This seems to suggest a transition from a situation where architects either uncritically followed Western movements or superficially replicated historical forms, to a period in which they are beginning to establish a generative feedback between their context and broader global movements. As Hadi Mirmiran argued in his lecture at the Architectural Association (AA) in London in 1996, great works of architecture across the globe and at different times share similar values.
机译:在过去的十年中,经过长时间的混乱,伊朗的建筑发生了翻天覆地的变化。这似乎暗示了从建筑师不加批判地跟随西方运动或表面复制历史形式的情况过渡到他们开始在其背景与更广泛的全球运动之间建立生成性反馈的时期的过渡。正如哈迪·米尔米兰(Hadi Mirmiran)在1996年在伦敦的建筑协会(AA)的演讲中所指出的那样,全球各地以及不同时期的伟大建筑作品都具有相似的价值。

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