The Evolution of Happiness

摘要

The authors reveal a dramatic but previously unsuspected pattern in archaeological illustration: the presence of smiling faces composed of artifacts arranged in plates of archaeological illustrations and photographs. In this paper, we explore the possible meanings that lurk behind and emerge from these mysterious portraits, questioning whether they are byproducts of human agency or whether, instead, they represent new examples of how material objects act back on (or “interfere with”) human agency.